FEELING UNMOTIVATED TO CREATE STORIES? YOUR CREATIVE STOMACH IS PROBABLY LOW.
Usually people say “creative tank” and then follow up with a metaphor like filling a car with petrol so you can continue moving. But I feel like “creative stomach” is MUCH more accurate. Because you need to go eat art. Eating art is very tasty. Sometimes, especially if it’s a painting, it causes death due to paint-poisoning, but don’t let little details put you off!! You need to eat all the art you can.
NEED TO EDIT? CHANGE YOUR FONT / SIZE / SCREEN TYPE TO SHAKE YOUR BRAIN UP.
This beats taking your brain out of your skull and shaking it up that way, because apparently that kills. Still open to being corrected on that??? Let me know if you’ve tried it.
MAKE YOUR WRITING MORE DIMENSIONAL BY USING TINY BUT POWERFUL DESCRIPTIONS.
Most of us writers try to describe like the whole DARN HOUSE or exactly what the character is wearing, but it packs much more of a punch if you use really pointed by small descriptions. Her dress is blue but the hem is unravelling. The house is old but there’s moss growing between the bricks.
And don’t forget the underused senses! Like textures and smells!
The aim here is to fully have your book punch your reader. Make your book become one with your reader. Absorb them. Take their soul and sell it in darkest Peru.
Usually people say “creative tank” and then follow up with a metaphor like filling a car with petrol so you can continue moving. But I feel like “creative stomach” is MUCH more accurate. Because you need to go eat art. Eating art is very tasty. Sometimes, especially if it’s a painting, it causes death due to paint-poisoning, but don’t let little details put you off!! You need to eat all the art you can.
NEED TO EDIT? CHANGE YOUR FONT / SIZE / SCREEN TYPE TO SHAKE YOUR BRAIN UP.
This beats taking your brain out of your skull and shaking it up that way, because apparently that kills. Still open to being corrected on that??? Let me know if you’ve tried it.
MAKE YOUR WRITING MORE DIMENSIONAL BY USING TINY BUT POWERFUL DESCRIPTIONS.
Most of us writers try to describe like the whole DARN HOUSE or exactly what the character is wearing, but it packs much more of a punch if you use really pointed by small descriptions. Her dress is blue but the hem is unravelling. The house is old but there’s moss growing between the bricks.
And don’t forget the underused senses! Like textures and smells!
The aim here is to fully have your book punch your reader. Make your book become one with your reader. Absorb them. Take their soul and sell it in darkest Peru.
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